
Following their multi-leg headline tour, which included several sold out dates around the country as well as the band’s first UK headline shows, rising punk act Winona Fighteris excited to get back on the road this fall. The band recently announced that they will be supporting Waterparks on The Prowler Tour from November 28 – December 15. Tickets for all upcoming shows are on sale now and available at winonafighter.com.
On the upcoming tour, the band shares: “We are so stoked to have the opportunity to tour with Waterparks at the end of the year. Cannot thank them enough for having us on a sick run alongside Heart Attack Man and Foxy Shazam. We also want to thank their fans for welcoming us into their supportive and exciting community! Extremely looking forward to introducing ourselves and rocking out with you all very soon.”
Prior to the tour, Winona Fighter will be performing in Boston on October 18th with Driveways, Atlantaon November 13th with Action/Adventure, and Orlando on November 15-16 with Vans Warped Tour, including a Warped Tour Aftershow on the 15th.
Winona Fighter recently released a deluxe edition of the band’s critically acclaimed debut album My Apologies To The Chef. Out now digitally via Rise Records, with limited edition vinyl available for pre-order, the expanded album features acoustic versions of every song from the original record, as well as covers of Beastie Boys’ “Sabotage” and Violent Femmes’ “Blister In The Sun”, and new song “(Don’t Get) CLOSE”.
To stream/purchase My Apologies To The Chef Deluxe, please visit: https://winonafighter.lnk.to/MATTCD.
About Winona Fighter
Based in Nashville, Winona Fighter—frontwoman and multi-instrumentalist Coco Kinnon, lead guitarist Dan Fuson and bassist/producer Austin Luther — formed after Coco moved there from Boston, and made a strong impression with their 2022 debut EP, Father Figure. Three of its songs—”Subaru”, “You Look Like A Drunk Phoebe Bridgers” and “Wlbrn St Tvrn”—were re-recorded for MY APOLOGIES TO THE CHEF, the band’s debut album, but their power and potency is in no way diminished. In fact, the rage and frustration that courses through them, and which also infuses the band’s energetic and compelling live shows, feels even more visceral, pointed and necessary than before, something that carries over into the other songs too.
“I feel like we’re taught to suppress our anger,” Coco says, “whether it’s to do with what’s going on in the world or in our lives. And that’s so lame. Why are we so okay with people being sad and anxious, and not okay with people having an outlet to be angry? That just blows my mind. I think if more people were able to be angry, maybe everyone would be a little happier.”
Recorded by Austin at his home studio (“I call it Studio A,” he smiles. “A for Austin”), MY APOLOGIES TO THE CHEF is a wonderfully raw and cohesive reflection on life today that bottles the spirited and cathartic energy of the band’s live shows, as well as the angst and anxiety of being alive. The tone is set immediately with “JUMPERCABLES”, a catchy indie-punk anthem that’s fun and fiery in equal measure, before “You Look Like A Drunk Phoebe Bridgers” and “Subaru” soar with the band’s trademark catchy hooks and choruses. Elsewhere, “Swimmer’s Ear” balances tender aggression and self-deprecation, “Johnny’s Dead” is a heart-wrenching tale about substance abuse, and “Swear To God That I’m (FINE)” is an explosion of defiant self-affirmation. One of the angrier songs on the album, “R U FAMOUS,” is a blast of powerfully bitter vitriol tempered by humor, intelligence, and nuance.
That balance is something also present in the snarky catchiness of “I Think You Should Leave” and throughout the blistering urgency of “I’M IN THE MARKET TO PLEASE NO ONE”, a song about dating abuse inspired by a letter Coco wrote for a therapy session. The idea was to write it, get all her feelings out and then destroy it, but for some reason she kept it. When she stumbled across it sometime later, the band were already gaining ground and the idea for the song was born.
“I found it at a time where people were starting to really listen to our music,” she remembers. “There were a lot of young women coming to our shows and a lot of dads being like, ‘Oh my God, my daughter would love you guys.’ So it felt like the right time to use my voice to sing about something pretty serious. When I showed it to Austin we thought it could maybe motivate people who had been—or still are—in the situation I was in to speak up and speak out and try to get their power back. Originally, I wrote it for me but feel now like it’s a song for other people. And there’ll be these big ass grown dudes in the audience scream-singing it, so I think it means a lot to more than just the young women I had intended it to be for.”
Despite the strength in these songs’ delivery, underlying them all is a raw vulnerability. It’s the band’s ability to overcome that, and the adversity that inspired it in the first place, that makes this album truly special. That comes across nowhere more strongly than on the album finale, “DON’T WALLOW”. Originally written about the band flyering to promote “Johnny’s Dead” outside a festival they weren’t actually playing, the song turns a negative and embarrassing experience into a source of positive inspiration.
“It was very humbling,” says Coco, “and a little embarrassing to stand outside of a music festival you could be playing and handing out flyers, but we want this so bad. You should be uncomfortable all the time during this process. That’s how a lot of our career has felt up until this point and I think it’s going to continue to feel that way. If you’re comfortable, you’re not doing enough.”
It’s an attitude that captures Winona Fighter, and this debut record, perfectly.
For Additional Info:
https://www.facebook.com/winonafighter
https://www.instagram.com/winonafighter
https://twitter.com/winonafighter
https://www.youtube.com/channel/UCmJw0iV9J05v4MCSeW1ju4A
Upcoming Tour Dates:
10/18 – Boston, MA @ Paradise Rock Club (w/Driveways)
11/13 – Atlanta, GA @ Masquerade – Hell (w/Action/Adventure)
11/14 – Gainesville, FL @ Wooly’s
11/15 – Orlando, FL @ Will’s Pub
11/15-11/16 – Orlando, FL @ Vans Warped Tour **
11/28 – Chicago, IL @ Salt Shed Indoor
11/29 – Columbus, OH @ KEMBA Live!
12/2 – St. Louis, MO @ The Pageant
12/4 – Denver, CO @ Mission Ballroom
12/6 – Salt Lake City, UT @ Rockwell at The Complex
12/8 – Seattle, WA @ Showbox SoDo
12/9 – Portland, OR @ Roseland Theater
12/12 – San Francisco, CA @ The Fillmore
12/13 – Sacramento, CA @ Ace of Spades
12/15 – Las Vegas, NV @ Brooklyn Bowl
** – Festival Date

Photo Credit Brandon Corey