Join OUR TIME MACHINE directors Yang Sun and S. Leo Chiang, subject Maleonn and puppet on Saturday, September 12th at 5PM PST/8PM EST for a special Q&A to celebrate opening weekend.

MSNBC’s Richard Lui will host the conversation online.

RSVP is open now on Facebook and Eventive.  The Tribeca Award Winning Documentary opens this Friday, September 11th in over 35 virtual cinemas nationwide.

The film, winner of the Best Cinematography Award at the 2019 Tribeca Film Festival, is a personal and intimate look at Chinese artist Maleonn (Ma Liang) as he sets out to stage an ambitious performance piece about time and memory when his father, the former artistic director of the Shanghai Chinese Opera Theater, is diagnosed with dementia. Maleonn hopes the work will bring the them together artistically and personally but as time goes on, and his father’s condition deteriorates, he is torn between the original goal to honor his father and the pressure of finding commercial success.

About OUR TIME MACHINE
43-year-old Maleonn is one of China’s most influential conceptual artists today. His father, Ma Ke, was the artistic director of the Shanghai Chinese Opera Theater. After being humiliated and forbidden from working for a decade during the Cultural Revolution, Ma Ke immersed himself in theater. The mysterious excitement of Ma Ke’s creative world inspired the young Maleonn, but his father’s absences stoked early feelings of resentment.

When Ma Ke is diagnosed with Alzheimer’s, Maleonn pours everything into an ambitious new theater project: “Papa’s Time Machine,” a visually stunning time-travel adventure told with human-sized puppets. At the play’s heart are autobiographical scenes inspired by Maleonn’s memories with his father. He hopes this will bring them together artistically and personally.

With enthusiasm both domestically and from abroad, the play shows signs of a promising future. But Ma Ke’s condition deteriorates. Maleonn is torn between the original goal to honor his father and the pressure towards commercial success. Ma Ke struggles to contribute to the play, and barely recognizes the play when it is completed.

Facing his father’s painful decline, Maleonn becomes more aware of life’s complexities. There are no effortless masterpieces or simple solutions. And there’s no traveling back in time to retrieve what has been lost. There is however, the relationship that has developed with co-director Tianyi. He proposes to her, ready to become a partner and a father, and to carry on forward with a new outlook on his art and life.

WINNER – Best Cinematography – 2019 Tribeca Film Festival
WINNER – Best Documentary – 2019 CAAMFest
WINNER – Grand Jury Award, International Documentary Feature – 2019 LAAPFF
WINNER – Best International Director – 2019 Doc Edge
Official Selection – 2019 Hot Docs
Official Selection – 2020 Palm Springs International Film Festival

About The Directors Yang Sun and  S. Leo Chiang
Director-Producer | Yang Sun 
 is a documentary director and cameraman based in Beijing. He was on staff at China’s Central Newsreel and Documentary Film Studio, making documentaries for broadcasters including CCTV, Youku and the Travel Channel. He has directed several short and mid-length documentaries, including THE SECOND ALBUM, AKEN, BACKPACKERS FOR 10 YEARS, AFTER HE ROSE TO FAME, as well as the ten-part series TAKE ME TO TRAVEL. He worked as a director of photography on A CENTURY WITH NANJING, CENTURY MASTER, and SOUTH OF THE OCEAN. Sun Yang holds a Master’s degree from the School of Television and Film Art at the Communication University of China. OUR TIME MACHINE is his first feature-length documentary.

Director-Producer | S. Leo Chiang is a Taiwanese-American filmmaker based in San Francisco and Taipei. His documentary, MR. CAO GOES TO WASHINGTON, won the Inspiration Award at the 2012 Full Frame Documentary Festival. His previous film, Emmy® Award-nominated A VILLAGE CALLED VERSAILLES, picked up eight awards and aired on the American PBS series, Independent Lens. Leo’s work has received funding support from the Sundance Documentary Fund, the Tribeca Film Institute, and ITVS. He also collaborates with other documentarians as editor and a cameraman. Leo received a MFA in film production from University of Southern California. He is the co-founder of A-Doc, the Asian American Documentary Network, and a documentary branch member of the Academy of Motion Pictures and Sciences.

Websitewww.timemachinefilm.com
Facebookwww.facebook.com/timemachinefilm
Instagram @timemachinefilm
Twitter  @timemachinefilm
#OurTimeMachine