Bleecker Street has confirmed release dates for its highly anticipated 2025 slate which includes NYFCC, LAFCA and NBR award-winning Hard Truths from Academy Award winner Mike Leigh and starring Marianne Jean-Baptiste; Scott McGehee and David Siegel’s Fall festival smash hit The Friend; David Mackenzie’s Relay and Jim O’Hanlon’s Fackham Hall. In conjunction with ShivHans Pictures, Sam and Andy Zuchero’s Sundance award-winner Love Me and Andrew Ahn’s star-studded reimagining of the Oscar-nominated romantic comedy The Wedding Banquet have also been dated as part of the 2025 lineup.
Having celebrated its 10th anniversary milestone earlier this year, Bleecker Street will debut all 2025 titles in theaters as part of its continued commitment to championing global, independent film.
“We are excited to unveil our 2025 theatrical lineup, which truly embodies the diverse, bold, and original storytelling that we are passionate about championing at Bleecker Street,” said Bleecker Street CEO Andrew Karpen and President Kent Sanderson. “With a star-studded roster of filmmakers and talent, across a wide array of genres, these upcoming films promise to deliver unforgettable cinematic experiences for audiences. We can’t wait to share what else is to come in the new year and beyond.”
As part of the company’s 10th anniversary celebrations this year, Andrew Karpen was also awarded Variety’s Vanguard Award in a ceremony in October. With its release catalogue and strong track record to date, Bleecker Street has firmly established itself as a trusted label and champion of original cinema.
The 2025 Bleecker Street release schedule is as follows:


Love Me is a groundbreaking first feature from directors Sam and Andy Zuchero which explores contemporary topics surrounding technology and identity, though at its heart is a simple, emotionally resonant tale of transformation. In a story that spans billions of years, a buoy and a satellite meet online long after humanity’s extinction. As they learn what life was like on Earth, they discover themselves and what it means to be alive and in love. Starring Academy Award®-nominee Kristen Stewart (Spencer, Love Lies Bleeding) and Golden Globe and Emmy Award®-winner Steven Yeun (Minari, Nope), Love Me thrillingly utilizes filmmaking techniques from live-action, practical animatronics, classic animation and game engines, and, anchored in enthralling performances, culminates the longest-spanning love story ever told. Bleecker Street will co-release the film theatrically on January 31 with ShivHans Pictures, following its debut at the 2024 Sundance Film Festiva




ABOUT BLEECKER STREET
Bleecker Street is an independently financed studio based in New York City that was founded in August 2014 by Andrew Karpen. Bleecker has released more than 65 films and has established itself as a trusted label and champion of original and filmmaker-driven cinema, curating an impressive and lauded slate that extends across all genres. Its releases have included films from auteurs like Steven Soderbergh (Logan Lucky, Unsane) and Debra Granik (Leave No Trace); Oscar-nominated films including Captain Fantastic and Trumbo; and works by brilliant new voices in cinema like Academy Award®-winner Guy Nattiv (2024 Oscar-nominee Golda), Kitty Green (The Assistant), Fran Kranz (Spirit Award-winner forMass), and Laurel Parmet (Spirit Award-nominee for The Starling Girl).
With the company celebrating its 10th anniversary this year, Cannes 2024 marked the world premiere of Bleecker Street’s Rumours from directors Evan Johnson, Galen Johnson and Guy Maddin, featuring an ensemble cast including Cate Blanchett and Alicia Vikander. Other notable releases included the comedy The Fabulous Four starring Bette Midler, Megan Mullally, Susan Sarandon, and Sheryl Lee Ralph; psychological sci-fi thriller Slingshot starring Casey Affleck, Laurence Fishburne and Emily Beecham; The Return starring Ralph Fiennes and Juliette Binoche; as well as Hard Truths,the next film from legendary auteur Mike Leigh and starring Marianne Jean-Baptiste, which premiered to critical acclaim at the Toronto International Film Festival.